There are two kinds of writers in the world. (Or at least, that’s what the writing internet has decided.) On one side, we have the . . .
There comes a point — usually somewhere between draft number three and “why am I doing this to myself?” — when writing stops feeling like . . .
At first glance, the idea of writing a book in 30 days sounds like a fast-food version of literary creation: intense, compressed, goal-oriented. Yet there’s . . .