Ask a room full of writers whether originality still matters, and you’ll witness an immediate and passionate divide. Half will insist that nothing truly original . . .
There are two kinds of writers in the world. (Or at least, that’s what the writing internet has decided.) On one side, we have the . . .
There comes a point — usually somewhere between draft number three and “why am I doing this to myself?” — when writing stops feeling like . . .
There’s a peculiar moment every writer knows. You open the email, or the message, or the comments. You know what’s inside. Feedback. Critique. Notes. You . . .
There’s a quiet ache that lives inside a lot of would-be writers. It sounds like this: I want to write. I really do. But I . . .