Every successful author has made these mistakes. The difference? They learned to spot them early.
You’ve been staring at that blank page for weeks. Maybe months. The cursor blinks mockingly at you, and that novel you’ve been “working on” exists more in your head than on paper. Sound familiar?
Here’s the brutal truth: most aspiring writers fail not because they lack talent, but because they fall into the same predictable traps that have claimed countless would-be authors before them. These aren’t just minor hiccups—they’re career killers that can derail your writing dreams before they even begin.
But here’s the good news: these sins are entirely avoidable once you know what to look for.
After two decades in publishing, working with hundreds of writers from complete beginners to bestselling authors, I’ve identified the seven most destructive habits that separate published authors from eternal dreamers. More importantly, I’m going to show you exactly how to sidestep each one.
Sin #1: Waiting for Perfect Conditions
The Trap: “I’ll start writing seriously when I have more time/a better computer/the perfect writing space/complete silence/inspiration strikes.”
This is the granddaddy of all writing sins, and it’s claimed more potential authors than any other single factor. The myth of perfect writing conditions is seductive because it feels reasonable. Who wouldn’t write better in a pristine home office with a view of the mountains and eight uninterrupted hours of silence?
But here’s what successful writers know: there are no perfect conditions. There’s only the decision to write anyway.
Stephen King wrote Carrie on a typewriter in the laundry room of his trailer, balanced on his knees because there wasn’t room for a desk. J.K. Rowling wrote the first Harry Potter book in cafes while her baby slept in a stroller beside her. Toni Morrison wrote her early novels before dawn, squeezing in writing time before her children woke up and her day job began.
The Solution: Embrace imperfection and start where you are.
Create a “minimum viable writing setup”—the smallest possible commitment that removes all excuses. This might be:
- Writing 100 words on your phone during your lunch break
- Keeping a notebook by your bed for 15 minutes of morning writing
- Using voice-to-text while commuting (if you’re not driving)
- Writing in 10-minute sprints between other activities
The goal isn’t to produce your masterpiece under these conditions. It’s to build the habit of writing consistently, regardless of circumstances. Once you’ve proven to yourself that you can write anywhere, anytime, you’ll stop waiting for permission from perfect conditions.
Pro Tip: Set a ridiculously low daily minimum—50 words, five minutes, one paragraph. Make it so easy that you’d feel silly not doing it. Success breeds success, and small consistent actions compound into major results.
Sin #2: Editing While You Write
The Trap: Spending hours crafting the perfect first sentence, then deleting and rewriting it seventeen times before moving to sentence two.
This sin is particularly insidious because it feels productive. You’re writing, after all. You’re improving your work. You’re being thoughtful and careful.
You’re also killing your momentum and training your brain to stop the creative flow before it can begin.
When you edit while you write, you’re asking your brain to perform two completely different functions simultaneously: creation and criticism. It’s like trying to drive while looking in the rearview mirror—you might move forward, but you’re going to crash.
The creative mind needs freedom to explore, to make connections, to follow unexpected paths. The editorial mind needs to analyze, critique, and refine. Both are essential, but they work best when given separate time and space.
The Solution: Separate creation from editing with ruthless discipline.
During your writing time, your only job is to get the story down. Give yourself permission to write terribly. In fact, plan to write terribly. First drafts are supposed to be bad—that’s why they’re called first drafts.
Here are specific strategies to break the editing-while-writing habit:
Write with your eyes closed: Literally. This forces you to focus on the story rather than the words on the screen. You’ll make typos, but you’ll also access a different kind of creative flow.
Use placeholder text: Can’t think of the perfect word? Write [WORD] and keep going. Don’t know how to describe something? Write [DESCRIPTION] and move on. You can fill in the blanks during revision.
Set a timer: Write in focused sprints (try 25-minute Pomodoro sessions) where editing is absolutely forbidden. When the timer goes off, you can make notes about changes, but no actual editing until the next day.
Change your font: Write in Comic Sans or another unusual font, then switch to Times New Roman for editing. This visual cue helps your brain recognize which mode you’re in.
The One-Day Rule: Never edit anything you wrote today. Let it sit for at least 24 hours before you look at it with editorial eyes.
Remember: you can’t edit a blank page, but you can always edit a bad page.
Sin #3: Comparing Your Beginning to Someone Else’s Middle
The Trap: Reading a published novel and thinking, “I’ll never write anything this good. Why am I even trying?”
Social media has made this sin worse than ever. We see authors celebrating book deals, movie options, and bestseller lists, and we compare our private struggles to their public victories. We forget that we’re seeing their highlight reel, not their behind-the-scenes footage.
But even without social media, this comparison trap has always existed. You read a beautiful passage by an established author and feel like giving up. What you don’t see is the decade of terrible writing that came before that beautiful passage, or the fifteen drafts it took to get it right.
The Solution: Compare your current self to your past self, not to other writers.
Every published author was once exactly where you are now. They had the same doubts, the same struggles, the same terrible first drafts. The only difference is that they kept going.
Here’s how to maintain perspective:
Track your progress: Keep a writing journal where you note improvements, however small. “Today I wrote dialogue that sounded natural” or “I figured out how to show emotion without telling” are victories worth celebrating.
Study craft, not just art: When you read authors you admire, don’t just enjoy the finished product—analyze the techniques they’re using. How do they handle scene transitions? How do they create tension? This turns admiration into education.
Remember the timeline: Most “overnight success” stories involve years of invisible work. The author who just published their “first” novel probably wrote three unpublished ones before it. The writer who seems to effortlessly produce beautiful prose has likely written millions of words of practice.
Find your tribe: Connect with other writers at your level. Join critique groups, online communities, or local writing organizations. Seeing others struggle with the same challenges reminds you that difficulty is normal, not a sign that you should quit.
Celebrate small wins: Finished a chapter? That’s worth celebrating. Wrote a scene that made you laugh? Victory. Solved a plot problem? Success. Don’t wait for publication to acknowledge your progress.
Sin #4: Trying to Write for Everyone
The Trap: “I want my book to appeal to the widest possible audience, so I’ll include elements that will attract romance readers, mystery fans, literary fiction lovers, and young adult audiences.”
This sounds logical. More potential readers equals more success, right? Wrong.
When you try to write for everyone, you end up writing for no one. Your book becomes a watered-down compromise that fails to satisfy any particular audience. It’s the literary equivalent of a restaurant that serves pizza, sushi, tacos, and burgers—you know none of it is going to be very good.
Successful books have a clear identity. They know exactly who they’re for and what they’re trying to accomplish. This doesn’t mean they can’t cross genre boundaries or appeal to unexpected audiences, but they start with a specific vision and execute it fully.
The Solution: Write for one specific reader, then trust that others will find their way to your work.
Create a reader avatar: Imagine one specific person who would love your book. Give them a name, an age, specific interests, and reading habits. What books are already on their shelf? What are they looking for that they haven’t found yet? Write for this person.
Choose your lane: Decide what genre or category best fits your story, then learn the conventions and expectations of that audience. This doesn’t mean you can’t innovate or subvert expectations, but you need to understand the rules before you break them.
Embrace your weirdness: The things that make you different as a writer are your strengths, not weaknesses. Your unique perspective, experiences, and voice are what will set your work apart. Don’t sand off the edges to make your work more “commercial.”
Study successful books in your category: What are they doing that works? What audiences are they serving? How can you serve that same audience in your own unique way?
Trust the process: If you write something you’re genuinely passionate about, others who share that passion will find it. Authenticity attracts the right readers more effectively than broad appeal attracts everyone.
Sin #5: Perfectionism Paralysis
The Trap: “This chapter isn’t good enough yet. I need to make it perfect before I move on to the next one.”
Perfectionism masquerades as high standards, but it’s actually fear in disguise. Fear of judgment, fear of failure, fear of not being good enough. So you polish and repolish the same scenes, never moving forward, never finishing anything.
Here’s the paradox: the pursuit of perfection prevents you from ever getting good enough to achieve it. You can’t learn to write a complete novel by writing the same three chapters over and over. You can only learn by writing complete drafts, making mistakes, and trying again.
The Solution: Embrace “good enough” and focus on completion.
Set completion deadlines: Give yourself a deadline to finish your first draft, then stick to it. This forces you to make decisions and move forward instead of endlessly tinkering.
Practice the 80% rule: When a scene feels about 80% right, move on. You can always come back during revision, but you need to see the whole story before you can perfect any part of it.
Remember that revision exists: First drafts aren’t meant to be perfect—that’s why second drafts exist. And third drafts. And fourth drafts. Give yourself permission to write imperfectly now so you can revise intelligently later.
Focus on story first: Plot, character development, and story structure are more important than perfect prose in early drafts. You can fix clunky sentences, but you can’t fix a story that doesn’t exist.
Set “good enough” criteria: Define what “good enough” means for each draft. First draft: complete story with beginning, middle, and end. Second draft: major plot holes filled, character motivations clear. Third draft: scene-level improvements. This gives you permission to stop polishing and move forward.
Sin #6: Neglecting the Business Side
The Trap: “I just want to write. I don’t want to think about marketing, platform building, or the publishing industry. That stuff will take care of itself.”
This might be the most expensive sin on the list. Talented writers fail every day not because their writing isn’t good enough, but because they don’t understand how publishing works or how to position their work for success.
You don’t have to become a marketing expert, but you do need to understand the basics of how books find readers and how careers are built. Ignoring the business side doesn’t make you more artistic—it makes you unprepared.
The Solution: Treat writing as both art and business from day one.
Learn the industry: Understand the difference between traditional and self-publishing. Know what agents do and how to query them. Understand how book marketing actually works (hint: it’s not just posting on social media).
Build relationships, not just a platform: Connect with other writers, readers, and industry professionals. Genuine relationships are more valuable than follower counts.
Study successful authors in your genre: How did they build their careers? What strategies worked for them? What can you adapt for your own journey?
Start building your author presence early: You don’t need a massive following, but you should have some way for readers to find and connect with you. This might be a simple website, a newsletter, or active participation in writing communities.
Understand your market: Who are your readers? Where do they discover new books? What other authors do they read? How much do they typically spend on books in your category?
Develop multiple skills: Writing is just one part of an author’s job. You’ll also need to learn basic editing, understand cover design principles, write compelling book descriptions, and communicate effectively with industry professionals.
Sin #7: Giving Up Too Soon
The Trap: “I’ve been writing for six months and I’m not published yet. Maybe I’m not cut out for this.”
Publishing operates on a different timeline than most other industries. What feels like forever to you is actually just the beginning of a normal publishing journey. Most successful authors measure their careers in decades, not months or even years.
The writers who succeed aren’t necessarily the most talented—they’re the ones who persist long enough to develop their talent and navigate the industry. They understand that rejection is part of the process, not a verdict on their worth as writers.
The Solution: Adjust your timeline and focus on process over outcomes.
Think in decades: Plan a 10-year writing career, not a 10-month sprint to publication. This longer perspective makes temporary setbacks feel less devastating and helps you make better strategic decisions.
Celebrate process goals: Instead of focusing only on publication, celebrate completing drafts, finishing revisions, sending queries, or getting feedback. These are all victories that move you forward.
Learn from rejection: Every rejection is data about the market, your work, or your approach. Collect this information and use it to improve your strategy.
Build a support system: Connect with other writers who understand the journey. Having people who can remind you that slow progress is still progress can make the difference between quitting and persisting.
Keep multiple projects in motion: Don’t put all your hopes on one book. While you’re querying one manuscript, start writing the next one. This keeps you productive and gives you options.
Study the long game: Research the career trajectories of authors you admire. Most didn’t achieve overnight success, and many had significant obstacles to overcome. Their persistence, not their initial talent, made the difference.
The Path Forward: Your Writing Action Plan
Now that you know the seven deadly sins, here’s your roadmap for avoiding them:
Week 1-2: Set Up Your System
- Create your minimum viable writing setup
- Choose your writing times and protect them fiercely
- Set up a simple tracking system for your progress
Week 3-4: Define Your Project
- Choose one story to focus on completely
- Create your reader avatar
- Set a completion deadline for your first draft
Month 2: Build Your Habits
- Write consistently, even if it’s terrible
- Practice separating creation from editing
- Start connecting with other writers
Month 3: Learn Your Craft
- Study books in your genre for technique, not just enjoyment
- Take a craft class or join a critique group
- Begin learning about the publishing industry
Months 4-6: Complete Your First Draft
- Focus on finishing, not perfecting
- Resist the urge to edit as you go
- Celebrate small victories along the way
Months 7-12: Revise and Prepare
- Let your first draft rest before revising
- Learn revision techniques and apply them systematically
- Begin building your author platform
Year 2 and Beyond: Professional Development
- Start querying or preparing for self-publication
- Begin your next project while the first is in submission
- Continue learning and growing your craft
The Writer’s Mindset: Your Secret Weapon
Beyond avoiding these seven sins, successful writers share a particular mindset that sets them apart from those who give up. This mindset is your secret weapon, and it’s more important than talent, connections, or luck.
Embrace the identity: You don’t become a writer when you publish a book. You become a writer when you write. Start calling yourself a writer now, and act like one.
Focus on what you can control: You can’t control whether agents respond to your queries or readers buy your books. You can control how much you write, how consistently you work, and how professionally you conduct yourself.
View challenges as normal: Difficult scenes, plot problems, and rejection letters aren’t signs that you should quit—they’re signs that you’re doing the work. Every professional writer faces these challenges.
Maintain beginner’s mind: Stay curious and open to learning. The moment you think you’ve mastered writing is the moment you stop growing.
Play the long game: Building a writing career is like growing a tree, not building a fire. It takes time, patience, and consistent care, but the results can last a lifetime.
Your Writing Future Starts Now
These seven sins have derailed countless writing dreams, but they don’t have to derail yours. Now that you know what to watch for, you can sidestep these traps and focus on what really matters: developing your craft, finishing your projects, and building your career one word at a time.
The writing life isn’t easy, but it’s simpler than most people make it. Write consistently. Finish what you start. Learn continuously. Connect with others. Stay persistent. Avoid these seven sins, and you’ll be ahead of 90% of aspiring writers.
Your story is waiting to be told. The only question is: will you be the one to tell it?
The cursor is blinking. The page is blank. But now you know exactly what not to do.
Start writing.
What’s your biggest writing challenge right now? Have you fallen into any of these seven sins? Share your experience in the comments below, and let’s support each other on this journey from aspiring writer to published author.
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